TABOR OPERA HOUSE Theater — Leadville, Colorado Status: Operating · Access: Open to public · est. 1879 Dossier: https://haunthunt.com/place/tabor-opera-house-leadville-colorado/ Horace Tabor’s silver opera house—at 10,000 feet, the town’s grandest room. Tabor Opera House is a theater in Leadville, Colorado, built in 1879. Horace Tabor’s silver opera house—at 10,000 feet, the town’s grandest room. Its signature presence is Horace Tabor — the figure the file’s accounts keep returning to. The dossier holds 2 reported claims, 1 legend, 2 documented facts and 1 named or described presence — documented record and retelling kept side by side. It still runs shows. In 1879 Horace Tabor put up an opera house in Leadville in a hundred days — hauling materials by wagon over Colorado's worst passes to a silver camp at 10,152 feet, then the rowdiest boomtown in the West. The three-story stone-and-brick theater opened November 20 with a comedy, The Serious Family, under 72 gas jets behind walls sixteen inches thick, for something under $75,000. Tabor lost his fortune in the 1893 silver crash and died broke in 1899. The reports that accumulated afterward put him back in the building anyway — in the boxes, under the balcony, still wearing the gold watch chain. THE DOCUMENTED RECORD The Tabor Opera House's opening roster made it the finest theater west of the Missouri: Oscar Wilde, Harry Houdini, John Philip Sousa and Buffalo Bill all played its stage. Tabor himself — Leadville's first mayor, briefly a U.S. senator — had meanwhile made his private life a national story by divorcing Augusta for Baby Doe McCourt; the crash that wiped him out left Baby Doe to her own famous ending at the Matchless Mine. The Elks bought the building in 1901 and ran it as a lodge and hall. By 1954 it faced demolition for a parking lot; Evelyn Furman bought it in 1955 for $20,000 and ran it herself for nearly sixty years, tarring the roof into her seventies. A full restoration followed her 2011 death, and the theater reopened — with original 1879 painted scenery rediscovered upstairs in 2020. WHAT WITNESSES FILE The file's best account is Furman's own. A visitor lingered after one of her tours and told her, seriously, that a heavyset middle-aged man — dark-complected, mustached, a gold watch chain across his vest — had stood beside her under the balcony the whole time she talked. Furman had seen no one. She wrote down the description and found it stopped her cold: 'It fit H.A.W. Tabor perfectly.' The rest of the inventory is standard theater-file material: a figure in the boxes, a presence on the stage, whispers and applause reported in the empty house. Across town, ghost hunters once claimed a séance poker game with Tabor in the Delaware Hotel's library — a claim the file records without grading. THE HUNDRED DAYS The construction itself is the record's best paragraph: materials freighted by wagon over the passes, walls of solid brick sixteen inches thick, the first gas lighting in Leadville, hand-painted scenery that survived unrolled upstairs into the twenty-first century. A town at two miles' elevation got a theater that would not have shamed Denver — built by a man who would be dead and broke within twenty years, and who is reportedly still found standing in it. The opera house did not outlast Tabor so much as absorb him: the building is the biography that outlived the bank account. WHAT REMAINS The opera house today is a restored National Trust National Treasure that sells its builder twice — once in the museum displays, once in the sightings. The man who raised a theater in a hundred days, lost everything in the crash and died with the century is, by the witnesses' account, reportedly still in the audience at 308 Harrison Avenue: the silver king keeping his box seat in the house he could not keep, while the scenery he bought in 1879 hangs upstairs where the restorers found it. FILED CLAIMS — 2 on record, reported not verified · [Local folklore] apparition: Tabor Opera House reports describe a figure in the boxes and a presence on the stage — the lore attached to Horace Tabor's 100-day-built opera house and the performers who played it. The box-seat figure is the distinctive claim: someone, the lore says, still holds the best seat. The best seat stays taken. source: Tabor Opera House (https://en.wikipedia.org/wiki/Tabor_Opera_House) · [Documented legend] named ghost legend: Horace Tabor — the silver king who built the opera house in a hundred days and lost everything in the crash — is the theater's reported presence: seen in the boxes, felt on the stage. The theater that hosted Wilde and Houdini keeps its builder on the bill. The stage keeps its builder billed. The crash never evicted him. source: Tabor Opera House (https://en.wikipedia.org/wiki/Tabor_Opera_House) HISTORY — 2 documented facts · [1879] Opened 1879 during the Leadville silver boom; restored 2024. A theatre with this much documented stage history gives the file real substance. The fact is historically verified — the part of the file that doesn't need hedging. The record appears in 'Tabor Opera House'. It is the kind of fact the rest of the dossier leans on. · [1879] Opened 1879; the Tabor history is documented. The theatre's documented history is the record the rest of the file stands on. The fact is historically verified — the part of the file that doesn't need hedging. The record appears in 'Tabor Opera House'. It anchors the timeline the rest of the file hangs from. SOURCES — 2 cited · Tabor Opera House — Wikipedia https://en.wikipedia.org/wiki/Tabor_Opera_House · Tabor Opera House — official site — Tabor Opera House Preservation Foundation https://www.taboroperahouse.com — HauntHunt is a research archive. Claims are filed as reported — documented where sources exist, marked as folklore or unverified where they do not. Methodology: https://haunthunt.com/methodology/ · Corrections: https://haunthunt.com/report/